Street Shots Photography Podcast

"Life is not significant details, illuminated by a flash, fixed forever. Photographs are."- Susan Sontag
"I am forever chasing light. Light turns the ordinary into the magical."- Trent Parke
 
In this episode, Antonio talks about visiting the Cass County Fair in Nebraska, using the trip as a chance to explore how he wants to approach photography in his new environment. Surrounded by the mix of people, animals, and small-town fair details, he leaned into shooting with his often-neglected Fuji X-Pro3 and a wide 16mm lens, embracing the different perspective it offered. The outing became less about documenting the event in a straightforward way and more about experimenting with composition, perspective, and mood to see how his work might evolve outside of Brooklyn.
Both he and Ward recently picked up compact Godox iT30 Pro flashes with the intention of using them for street photography, but once out shooting, each decided against firing them. That hesitation becomes the starting point for a deeper discussion on flash photography. They trace its evolution from the early days of magnesium powder and flashbulbs, through the era of Polaroid flashcubes, to the development of strobes and today’s TTL units. The conversation touches on photographers who made notable use of flash, including Jessie Tarbox Beals, O. Winston Link, Philippe Halsman, and Bruce Davidson, exploring how each applied it to their work. Alongside the historical overview, Antonio and Ward get into the technical differences between older and modern flash systems, the practical challenges of using flash in the field, and how light-shaping tools and timing have played a role in iconic images.
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"In a good or successful color photograph, the picture's definition or meaning will somehow arise through the use of color”
"Photographs have always been convincing lies."-- Joel Sternfeld
In this episode, Ward shares stories from his recent road trip to Saskatchewan, including a visit to a hometown dirt track race—a nostalgic return since his last visit in 1978. The conversation turns toward grassroots motorsports, photography at the races, and how families get deeply involved, even with kids racing $40,000 modified cars. Antonio reflects on settling into life in Nebraska, exploring his surroundings, and using the Fuji X-Half camera as a spontaneous photo companion. He shares how the small, JPEG-only camera has helped him rediscover simple photographic joy, especially during a recent photo class with teens.
The heart of the episode focuses on photographer Joel Sternfeld. Antonio and Ward explore Sternfeld’s thoughtful approach to color, how his emotional state influenced his editing choices, and the meticulous process behind his transition from 35mm to large-format 8x10 photography. They dig into Nags Head, his lesser-known 1975 series that unexpectedly triggered vivid memories for Antonio from his childhood summers in Provincetown, MA—despite being shot in North Carolina. The conversation also covers American Prospects, Sternfeld’s iconic work that blends subdued color palettes with a reflective look at American culture. Ward reflects on how Sternfeld’s careful use of color theory and restrained composition creates a sense of presence and emotional clarity rarely found in contemporary work.
 
YouTube - Joel Sternfeld and Geoffrey Batchen
YouTube - ARTIST TALKS - JOEL STERNFELD - PARIS PHOTO 2019
 
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Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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In this episode, Antonio and Ward talk about the challenge of photographing in new places. Antonio’s just moved to Lincoln, Nebraska and is still unpacking boxes, figuring out where to store his gear, and trying to spot what’s interesting to shoot in a much quieter environment than New York. He shares how different it feels to look for subjects like grain elevators, small-town architecture, or even backyard birds, and mentions playing around with his Fuji X-Half and a little drone to stay inspired. He also talks about noticing the slower pace of life, meeting friendly neighbors, and thinking about how he might approach more deliberate projects like set-up portraits in a community where people seem more open.
 
Ward describes his recent nights photographing the Calgary Stampede, explaining how he focuses on close-up, expressive portraits and uses different cameras to stay low-key in crowds. He talks about the energy of the event, shooting into the night with carnival lights, and building a long-term series he can add to each year. They talk about the tension between shooting things that have been done before and bringing your own perspective. Ward encourages just picking something and getting started, and they discuss ideas like making connections through local coffee shops, setting up portrait sessions, and simply finding a way to feel at home with the camera in a new environment.
 
Photo Gallery: https://adobe.ly/4kGspYf
Recent Substack Articles:
From the F Train to Farmland - Part 1
From F-Train to Farmland - Part 2
Point of Departure: Japan
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"Self-discovery through a camera? I am scared to look for fear of discovering how shallow my Self is!"-- Minor White
"The voyage of discovery lies not in finding new landscapes but in finding new eyes."-- Marcel Proust
 
Antonio checks in from Lincoln, Nebraska after making the big move from Brooklyn. He shares the details of packing his life into a neon pink moving truck, driving cross-country with two cats dosed on gabapentin, and figuring out how much actually fits in a Chrysler Pacifica. He talks about the weirdness of seeing his old apartment empty, the relief of arriving without any real disasters, and the first impressions of settling into a new city that feels nothing like New York.
He and Ward talk about what it means to photograph in a completely new environment: wide open roads instead of tight city blocks, and how that might change what you look for through the viewfinder. Antonio describes plans to explore local subjects, from the Capitol building to abandoned structures, and discusses wanting to find a personal approach that doesn’t just imitate what’s already been shot. They also get into practical matters—like unpacking gear, integrating cats into the new house, and figuring out how to carve out space for photo books and editing work.
Ward offers advice on photographing new places, suggesting ways to start with familiar landmarks before finding details that stand out. There’s also some gear talk, including Antonio’s first impressions of the Fuji X-Half camera waiting for him in Lincoln, and discussion of plans to try street fairs, local art shows, and maybe even some night-sky photography. It’s an episode about changing scenery without feeling like you need to change who you are as a photographer, and about settling in while figuring out what’s next.
Photo Gallery: https://adobe.ly/4lzEwaC
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"In each place I have travelled, I have used my camera as an extension of my memory."-- Teju Cole
"In photography and in life, always look for the light, if you don’t see it, bring it." John Waire
 
In this episode, Antonio records from Brooklyn for the last time before his big move to Nebraska. It’s a reflective and unscripted conversation, touching on the chaos of packing, the emotional weight of leaving, and a perfectly timed rainbow that showed up outside his window. He and Ward talk about the kind of weather that begs to be photographed and how certain visual moments trigger memories of past images—like Ernst Haas’ dramatic skies. Antonio also shares how instant photography is playing a bigger role in his life lately, especially with the Polaroid and Instax cameras he’s bringing on the road trip west.
Ward recounts how he unexpectedly became the unofficial wedding photographer at a recent event, armed only with a Fuji XS20 and a 23mm lens. What was supposed to be a casual favor turned into a full-on assignment, and he reflects on how his street photography instincts kicked in to help him adapt. They also talk about the overlap between documentary and wedding photography, the influence of photographers like Kevin Mullins and Mel DiGiacomo, and how shooting in a “real life” environment brings out surprising results. There’s also a bit of Fujifilm gear talk, some thoughts on photo printing with Polaroid’s phone-based printer, and the occasional side trip into DIY diffuser hacks using deli containers. 
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"The limitations of photography are in yourself, for what we see is only what we are."-- Ernst Haas
 
"A photographic portrait is a picture of someone who knows he is being photographed."-- Richard Avedon
 
In this episode, Ward opens with a deep dive into his Lightroom library, explaining how “hunting” for decisive moments differs from “fishing” for happy accidents—and proving the point with a newly-found two-way-mirror shot in Japan that almost became digital landfill. The chat drifts into portrait philosophy via Richard Avedon, landing on the idea that real power often comes from stripping a set-up down to tripod, subject, and nerve.
 
Next up is Fuji’s just-announced X-Half.  Antonio admits he’s already on the preorder list, while Ward likes the film-advance lever but winces at the price.  The boys agree its JPEG-only, half-frame design is less a beginner’s toy than a deliberate hand-cuff for photographers who enjoy working inside tight creative fences—much like the old Fuji GA645 or Antonio’s beloved X-Pro3 .
 
Antonio contemplates using his medium format Fuji for big-sensor portraits once he touches down in Nebraska, while Ward packs a Rolleicord TLR for some square-format rodeo portraits. On the lo-fi end, Antonio bolts a recycled disposable-camera lens onto his tiny X-M5, declaring that “expectations set to fun” is a perfectly valid image-quality setting for his upcoming road trip.
 
The episode rounds out with a vintage-photo detour: Antonio uncovers a century-old log-cabin print, and Ward feeds it to ChatGPT, which promptly pinpoints its location and time period. Maybe. That sparks a brainstorm on turning unlabeled family prints into a themed zine instead of consigning them to attic oblivion or the trash.  
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"Photography is truth. The cinema is truth 24 times per second."-- Jean-Luc Godard
 
"What use is having a great depth of field, if there is not an adequate depth of feeling?"-- W. Eugene Smith
 
In this episode, Antonio and Ward catch up amid packing tape and camping plans. Antonio talks through the experience of unearthing old cameras—including a pair of Olympus XAs he didn’t even realize he owned—while preparing for his move. The conversation wanders through gear talk, fond memories of a long-lost Forscher Polaroid back, and a reflective look at how certain tools and artifacts carry pieces of photographic history. Meanwhile, Ward shares a bit about an upcoming camping trip and a brief hands-on with Fujifilm’s new GFX camera, which prompts a chat about who these high-megapixel cameras are really for.
 
Things shift toward the visual language of photography when Antonio brings up the use of shallow depth of field in shows like The Handmaid’s Tale. That sparks a back-and-forth on the emotional and narrative power of selective focus, both in film and stills—from Sally Mann’s large format portraits to W. Eugene Smith’s documentary work. They round out the episode by poking at the growing trend of chasing a “cinematic look” in photography, discussing whether it’s a meaningful stylistic choice or just another preset to scroll past.
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"It’s more important for a photographer to have very good shoes, than to have a very good camera."-- Sebastiao Salgado
"I met somebody at the gallery. And he said to me, I own a photograph of yours. And when I get up in the morning, I look at it and it makes me happy. And I thought that was very nice. It meant I wasn't completely useless."-- Saul Leiter
Antonio kicks off this episode with a walk through the 2025 AIPAD Photography Show in Manhattan, talking about everything from classic Ansel Adams prints to wild experimental pieces that blur the line between photography and sculpture. He also shares a fun moment meeting David Scheinbaum from Scheinbaum and Russek Gallery — one of his favorite YouTube follows — and reflects on what kinds of photography really connects with him.
Ward jumps in with an update on his Japan photos, finding that after a little time away, the darker, moodier images he hoped for are starting to stand out. He and Antonio get into a great conversation about slowing down, letting your work breathe, and how fresh eyes can sometimes change everything you thought you knew about what you shot.
The show wraps up with some gear talk, including Antonio’s thoughts on how he’s planning to travel lighter for his move. They also get into instant film photography, with Antonio sharing his plans to hook up a Fuji Instax back to his large format cameras — including the Crown Graphic his dad gave him — and how different gear sparks different ways of seeing.
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"I do not try to find myself in what I 'shoot,' but perhaps I want to see the position of the world I am in."-- Daido Moriyama
"Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts."-- Minor White
In this episode, Antonio and Ward catch up and talk about the trips they each took recently. Ward shares his experience traveling through Japan for eleven days, visiting Tokyo, Hiroshima, and Osaka. He talks about how he planned his photo approach ahead of time, but also how being in such a different place pushed him to adjust on the fly. There’s a lot about the feeling of being there—the quiet streets, the pace of the subway system, the powerful visit to the Hiroshima Peace Memorial, and what it was like photographing during the peak of cherry blossom season.
Antonio then talks about a shorter but important trip he made to Lincoln, Nebraska. It was his first time flying in a long while, and also his first time seeing the place where he plans to move. He visited his girlfriend, met her kids and friends, and started to get a feel for the town and what life might be like there. He also made time to take some pictures and begin thinking about what kind of photography might come out of being in a new environment.
 
Photo Gallery: https://tinyurl.com/24tj8ubq
 
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Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"I don't come as a photographer. I come as a friend."-- Alfred Eisenstaedt
"I didn't decide to be a photographer; I just happened to fall into it."-- Berenice Abbott
 
With Ward heading off to Japan, he and Antonio hand the mic to their friend Keith Goldstein for this special episode. Keith takes over hosting duties and turns the tables by interviewing Antonio during a walk along NYC’s High Line.
The two chat about Antonio’s full photography journey—from messing around with an Instamatic as a kid, to working in stock photography, to reconnecting with street photography as a more personal and grounding practice. They talk gear choices, old influences, shifting creative paths, and how life (and loss) can reshape your reasons for picking up a camera. It’s a relaxed, honest, and reflective conversation—captured on a sunny afternoon, with city sounds in the background and a giant pigeon looking on.
 
 
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Show Links:
Keith Goldstein's Instagram and Blog
Outskirts Press Manhatta by Keith Goldstein
Boroughs in Focus: A Visual Journey Through New York City’s Heart (Photographer's America) Paperback – April 30, 2025 by Keith Goldstein
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"You know, the camera is not meant just to show misery."
"The subject matter is so much more important than the photographer."-- Gordon Parks
In this episode of Street Shots, Antonio and Ward dive into the life and legacy of the iconic photographer Gordon Parks. They explore his remarkable journey from humble beginnings in Fort Scott, Kansas, to becoming one of the most celebrated photographers of the 20th century. They focus especially on his influential “Segregation Story” photo series, which captures powerful images of racial injustice in mid-20th century America, emphasizing Parks’ talent for storytelling through visual imagery.
Antonio and Ward also discuss Parks’ renowned photograph “American Gothic,” featuring Ella Watson, and how this iconic image vividly illustrated the racial and economic challenges of its time. They touch upon Parks’ successful venture into filmmaking, notably directing the groundbreaking movie “Shaft,” highlighting his unique ability to bridge photography and film to address important social issues. Ward shares personal reflections inspired by the “Collected Works of Gordon Parks,” underscoring Parks’ lasting influence on visual culture and storytelling.
 
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Show Links:
The Gordon Parks Foundation
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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Antonio opens this month’s episode with a personal message explaining that it’s going to be a rerun instead of a new show. After losing his beloved cat of 19 years,  Eddie, Antonio just wasn’t in the right headspace to record. He shares how much Eddie meant to both him and his late wife, and why saying goodbye was so tough.
For the rerun, Antonio picks a special episode from  October 2022, when Ward visited New York, and they recorded together in person right after seeing the Bernd and Hilla Becher exhibit at the Metropolitan Museum of Art. It’s a meaningful conversation and a reminder of how photography, friendship, and life’s hard moments are all connected. Regular episodes will be back in March.
 
Show Links:
Bernd and Hilla Becher exhibit at the Metropolitan Museum of Art.
YouTube videos:
Bernd & Hilla Becher Virtual Opening | Met Exhibitions
Bernd and Hilla Becher and their 19th and Early 20th-century Precursors with Jeff Rosenheim
Bernd and Hilla Becher, Hauser & Wirth Zürich
Becher photography exhibition in the Ruhr Valley | Video of the day
Hilla and Bernd Becher invented a new genre of photography
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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Walk up to sentimentality but don’t become it.-- Larry Sultan
If you like something that someone is doing, tell them! -- Todd Hido
 
In this episode, Antonio kicks things off with a hands-on review of the Fujifilm X-M5, a compact, feature-packed mirrorless camera that’s quickly become a favorite. He shares his impressions after testing it during the Lunar New Year celebrations in Chinatown, highlighting its speedy autofocus, convenient film simulation dial, and the nostalgic charm of the silver-top design. While the lack of a viewfinder presents some challenges in bright conditions, Antonio praises the camera’s versatility—especially when paired with manual lenses and a fun little retro flash he recently picked up. Two thumbs up!
Ward recounts a recent encounter with acclaimed photographer Todd Hido, who visited Calgary for a public talk. Ward recounts Hido’s approachable, candid style and reveals some interesting behind-the-scenes tricks, like using glycerin on windshields for a rain-soaked effect. They discuss the emotional depth of Hido’s work and the compelling presentation of his new book The End Sends Advance Warning, with its large-format images and translucent family-photo insert.
The episode wraps with Ward’s recap of his trip to Daytona for the 24-hour endurance race, where he had rare access to pit lane and behind-the-scenes action. Armed with a telephoto lens borrowed from Antonio, Ward describes the challenges of capturing high-speed cars at night, with the blur of headlights and motion adding an artistic dimension to the shots. He shares how the event’s unique lighting conditions pushed his ISO settings to their limits and gave him a chance to experiment with different shutter speeds and compositions. From sleek Ferraris under the lights to candid moments in the pits, Ward reflects on the thrill of documenting a world where precision and speed are everything—both on and off the track.
 
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"The artist's world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep."
"I think of myself as an explorer who has spent his life on a long voyage of discovery."-- Paul Strand
In this episode of Street Shots, Antonio chats with guest co-host Keith Goldstein about the changing world of stock photography and Keith’s book projects. Keith, who’s worked with both Getty Images and Shutterstock, shares his thoughts on their recent merger and how AI is reshaping the stock industry. They talk about the challenges photographers face now, with free image sites and AI-generated content threatening what was once a solid income source for many.
The conversation shifts to Keith’s creative work, including his book Manhatta, inspired by the 1921 film of the same name. Keith reflects on the process of capturing stunning cityscapes from the Empire State Building and the ups and downs of publishing the book. He also teases upcoming projects, including photo books on the boroughs of New York and Broadway. The episode is a mix of industry insights and personal stories, with a good dose of reflection on how photography continues to evolve.
 
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Show Links:
Keith Goldstein's Instagram and Blog
Outskirts Press Manhatta by Keith Goldstein
Boroughs in Focus: A Visual Journey Through New York City’s Heart (Photographer's America) Paperback – April 30, 2025by Keith Goldstein
Manhatta (1921) - Documentary Film by Paul Strand
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"I've learned over the years not to make big decisions based on short-term emotions because feelings aren't facts and they will pass or at least change.” "Give yourself permission to begin again." 
-- Sean Tucker
 
In this first episode of 2025, Antonio and Ward discuss what keeps the creativity alive when the motivation runs on low. Of course, revisiting older work, like photo shoots or journal entries, brings new ideas and gives a feeling of progress. Usually, at moments like this, looking back at those previous efforts brings to the foreground growth that was not as noticeable then.
They talk about routines, small habits, keeping the juices flowing, like organizing one's gear or calling into photography groups-little rituals that play an enormous part. Still, they also talk about community, people they have got around them, which they get together with, share their thoughts with, and spark each other where and when it is really needed.
 
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All Show Links - https://linktr.ee/streetshots
 
Links:
 
Ibarionex - The Candid Frame "Surviving the Loss of Everything" 
Support Ibarionex by buying him some coffee. Lots of coffee.
Sean Tucker "When You Feel Like Giving Up."
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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“Which of my photographs is my favorite? The one I’m going to take tomorrow.”
 – Imogen Cunningham
"Life is my subject matter."
– Trent Parke
Happy New Year, Everyone!
So, in this end-of-year episode, Antonio and Ward just sit down and have a really thoughtful, easygoing chat about everything that stuck with them over the past year—photographers who left an impression, creative shifts in their own work, and the bigger conversations happening in the world of photography. It’s not like a bullet-point rundown or anything, more of a natural back-and-forth about what resonated with them and why. They dive into how certain photographers made them pause and think, how their own styles have evolved over time, and, of course, the growing presence of AI in photography—especially how it’s starting to change conversations around authenticity and the meaning behind an image.
They also touch on this balance between preparation and spontaneity, you know, how planning can really shape your creative process, but also how important it is to leave space for those unexpected moments to surprise you. Overall, it’s just a super relaxed, honest conversation with a mix of curiosity and reflection as they try to make sense of the year and think about where things might be headed next.
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
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Antonio and Ward kick off this episode of Street Shots by chatting about some recent photography finds. Ward got his hands on a Godox Lux Junior flash, a small, retro-style unit that’s easy to use and sparks creative fun. Antonio talks about his latest book pick, Segregation Story by Gordon Parks, praising the powerful color photos that vividly depict segregation in America. Ward also discovered East Beats, Osaka 1964-1970 by Yoshihiro Suzuki, a street photography collection capturing everyday life in Osaka with a quiet, observant touch. Both books spark thoughtful discussions on how photographers interpret the world through their lenses.
 
This naturally leads to a deeper conversation about the unique role of photographers—being both distant observers and fully engaged participants. They explore how taking pictures can be a way of connecting while staying somewhat detached, a tricky balance that often leads to compelling images. They also touch on seasonal isolation and how solitude can sharpen creative focus, inspiring more intentional work. It’s a reflective episode about seeing, connecting, and creating while walking that fine line between observer and participant.
 
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Show Links:
Godox Lux Junior flash
Segregation Story by Gordon Parks
East Beats, Osaka 1964-1970 by Yoshihiro Suzuki
Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
Subscribe to us on:
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Google Podcasts
Spotify
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In this episode, Antonio and Ward explore the idea of a “color voice” in photography—a personal and intentional use of color that can shape a photographer’s visual identity. They discuss how color choices can influence the emotional impact of an image, creating a mood or enhancing the story being told. From vibrant, high-contrast palettes to more subtle, muted tones, they examine how photographers can experiment with color to reflect their own creative vision and connect with their audience on a deeper level.
The conversation focuses on how a photographer’s relationship with color extends beyond editing, involving how they perceive and capture colors in various environments. Antonio shares his thoughts on letting color become a defining feature of one’s style, while Ward discusses how lighting and surroundings can transform the way colors are experienced in an image. Their discussion highlights the interplay between observation, creativity, and intentionality in crafting a photographic voice through color.
 
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Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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“When I photograph, what I’m really doing is seeking answers to things.”  -- Wynn Bullock
“If you want to be a better photographer, stand in front of more interesting stuff.”  -- Jim Richardson
 
In this episode, Antonio and Ward reflect on photography’s unique role in preserving memories and stories. They discuss the importance of visual media literacy, highlighting how critical it is to go beyond just taking photos—to truly “read” images and understand the narratives they capture. Antonio shares his interest in teaching these skills, noting an upcoming workshop designed to deepen understanding in this area.
They also touch on how photography serves as a bridge to the past, preserving moments that can evoke powerful emotions or insights upon rediscovery. Through examples and personal reflections, Antonio and Ward examine how images can be more than visual records—they’re a way to keep memories alive, capture personal history, and connect us to our own stories and those of others.
 
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Show Links:
Photoville Educator Lab - Catalyst Of Change: Visual Storytelling for 2024 & Beyond
Lost Rolls America
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"Serendipity plays an enormous role in my work. I create the possibilities for accidents to happen."
-- Robbert Flick
 
"I’m very interested in the uncanny and a way to find something mysterious or terrible within everyday life."
-- Gregory Crewdson
 
In this episode, Antonio and Ward start, as usual, by discussing recent book acquisitions, including books received by Antonio, such as “Sons of the Living” by Bryan Schutmaat, Fred Hertzog’s “Black and White”, Anne Noggle’s “Flight of Spirit,” and Ward’s order of a book on Japanese female photographers titled “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now.” 
 
Subsequently, they dive into the aesthetics of the “uncanny” in photography, exploring how certain images evoke a sense of unease and elucidating the potential for these unsettling moments to serve as powerful storytelling devices. Ward shares a captivating photograph taken in New York, while Antonio discusses the significance of presenting students with Garry Winogrand’s thought-provoking work, encouraging them to interpret street photographs beyond their surface.
 
They also contemplate the role of serendipity in photography—those serendipitous, unplanned moments that elevate a photograph to greatness—and whether this can be cultivated through practice or is merely a matter of chance. They emphasize the importance of openness and attentiveness in capturing these unexpected gems and share personal anecdotes of moments when seemingly disparate elements aligned perfectly, resulting in photographs that felt almost predestined.
 
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Show Links:
Photographer Stephen Shore: God’s Eye But Human | Louisiana Channel
“Sons of the Living” by Bryan Schutmaat
Fred Hertzog’s “Black and White”
Anne Noggle’s “Flight of Spirit,”
“I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now.” 
Ward's Photo from DUMBO, Brooklyn
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"What I'm always trying to do is to make a picture that goes beyond a story."
"If you can shoot on the street, you can shoot anything."
-- Mary Ellen Mark
 
In this episode, Antonio and Ward begin with some "light" conversation about the aurora making a rare appearance in New York. Antonio reflects on the quiet satisfaction of finally catching a glimpse, even though his neighbors’ iPhones seemed to perform better than his carefully chosen Fujifilm setup. It wasn’t just about getting the perfect shot—it was about being part of the moment and feeling connected to something beyond the ordinary.
But the episode really finds its rhythm when the conversation turns to Mary Ellen Mark. Both Antonio and Ward admire her ability to disappear into the scenes she captured, especially during her time as the set photographer on Apocalypse Now. They talk about how her photographs of Brando feel less like production stills and more like windows into the very essence of his character, Colonel Kurtz. There’s a shared sense of respect between Antonio and Ward as they reflect on how Mark’s work goes beyond mere documentation—her images feel lived in, revealing moments that carry an emotional weight. It’s clear that discussing Mark taps into something personal for both of them: an appreciation for the kind of photography that isn’t just seen but felt.
 
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Show Links:
The PhotograpHER addiction diaries – Mary Ellen Mark
The Essence Of Mary Ellen Mark, The Invisible Made Visible
The Conet Project
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
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"...talking about pictures as though you could tell anybody how to take good ones is nuts. Pictures are given, not taken."-- Robert Adams
"The work of a photographer is to reveal hidden things."-- Matt Black
 
In this episode, Antonio and Ward kick things off by comparing the new iPhone camera to Fujifilm gear, debating whether the latest upgrades really make a difference for serious shooters. From there, Ward talks about his upcoming trip to Japan and how he plans to shoot street photography around Tokyo and beyond, hoping to capture some of the country’s unique character. He also shares his experience using different film stocks like Ilford HP5 and T-Max 100, reflecting on the challenges of exposure and why he’s leaning back toward Ilford for its flexibility and grain structure.
They also dig into recent book finds like Bryan Shutmaat’s "Sons of the Living", which documents the gritty reality of the American Southwest, and Anne Noggle’s intimate black-and-white portraits. Antonio highlights Pau Buscató’s work in "Street O’Clock", and they discuss the challenge of capturing perfect coincidences in street photography. Sprinkled throughout are insights into film photography, reflections on processing styles, and a nod to the influence of FSA photographers.
 
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Show Links:
 
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"Photography books often have titles like The Photographer’s Eye or The Vision of So and So or Seeing Photographs — as if photographers didn’t have minds, only eyes."-- Duane Michals
“A book is like a piece of music; it has a beginning and an end, but what happens in between is up to you.”
-- Stephen Shore
 
In this episode, Antonio talks about connecting with his new Fujifilm X100VI camera during a photo walk around New York City. He reflects on how much he enjoys shooting with this camera, which feels just right in his hands and helps him capture the energy of the city. As fall sets in and the days get shorter, he’s planning to head back out for some night photography, especially around the bright lights of Times Square.
Ward shares his recent experience photographing the Pride parade in Calgary. He usually shoots in black and white but decided to switch things up and capture the parade’s vibrant colors. It turned out to be a lively and colorful event, full of energy and emotion, and gave him a new perspective on his work. He also took a vintage Rolleicord camera to a local car show, revisiting the slower, more thoughtful process of shooting medium format film. These experiences got him thinking about how different settings and equipment can change the way you see and capture the world.
The guys also talk about their latest finds in photo books.
Antonio shares his experience attending the ICP Photo Book Fest in New York City, where picked up some new titles including Todd Hido’s "On Landscapes, Interiors, and the Nude", which explores the emotional impact of color and composition, and Trent Parke’s "Minutes to Midnight", which offers a stark, striking view of life in Australia. He also discusses his motivations for selecting specific books and how they can aid in teaching photography.
Ward also talks about a local photography book launch event he attended, featuring the work of pure mathematician and photographer Arturo Pianzola. He also brings up "Eight Seconds: Black Rodeo Culture" by Ivan McClellan, a book that dives into the unique and underrepresented world of Black rodeo. He describes the vivid color photographs that capture the people, culture, and atmosphere of this often-overlooked part of American life. The book opened his eyes to a new side of rodeo culture, adding another layer to his understanding of photography’s role in telling diverse stories.
 
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Show Links:
Neat Film Lab
The Monochrome Guild
Arturo Pianzola 
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
 
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"Don't tell your parents where we went”
“I’m sort of a spy,”― Vivian Maier
 
In this episode, Ward and Antonio start off by diving into Ward's recent exploration of minimalist photography. Ward shares how he has been capturing everyday objects—like cars and sheds—using his phone camera in black and white. His focus is on the "thinginess" of these mundane subjects, turning them into striking images that highlight their presence and simplicity. Ward reflects on how this approach mirrors his earlier work and discusses the surprisingly high quality of prints that could be achieved with smartphone cameras.
The conversation moves on to Antonio's recent experience attending a talk by photographer Sean Tucker, who discussed themes from his book, "The Meaning and the Making." Antonio shares insights from the event, highlighting Tucker's emphasis on slowing down and appreciating the process of photography in an era dominated by the rapid pace of social media. This discussion prompts both hosts to reflect on the challenges and rewards of practicing mindful photography today.
Finally, the episode wraps up with a deep dive into the work of street photographer Vivian Maier. Antonio recently visited an extensive exhibition of her work in New York City, and Ward also saw a Vivian Maier show in early 2020, sparking a rich discussion about her photography. They reflect on the impact of viewing Maier's prints in person and the curatorial choices that brought out different aspects of her work, from "Subtle Gestures" to "Remarkable Identities." They explore the ongoing debate around Maier’s style, her legacy, and the ethics of critiquing her personal life posthumously.
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Show Links:
Fotografiska NYC
Sean Tucker Photographer
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Ornis Photo Website 
The Unusual Collective
Street Shots Facebook Page
Street Shots Instagram
 
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